The Wine-Dark Sea

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I once had a creative writing instructor who insisted all ofhis students read one of O'Brian's novels to learn what truly superiorwriting was all about. I chose The Wine-Dark Sea and am I glad I did. O'Brian is truly a master! The Wine-Dark Sea opens with Jack Aubrey and Stephen Maturin in pursuit of an American privateer sailing the South Sea. The British, already engaged in the Napoleonic Wars, have made the mistake of also blundering into war with a young upstart, the United States. Maturin, in the Wine-Dark Sea, desires to relieve the pressure on the British government by inciting the revolutionaries of South America, more specifically, Peru. O'Brian, a master storyteller, also has a sharp eye for detail. His descriptions of the landscape, the sea, life on board the midgit man-of-war and even the Andes are no doubt the best in all of literature. The spine-tingling barbarity and bloody battle scenes are so real, they'll make you glad you're only reading a book (although the writing is so good you may forget that at times)! I really can't praise O'Brian highly enough. He is both artist and perfect craftsman and beside him, most authors rapidly pale. If you love the sea, if you love adventure, if you just love a good book, you absolutely can't go wrong with The Wine-Dark Sea or any of O'Brian's other novels. All of them are just perfect. END

Another incomparable tale by that master of sea stories, the late Patrick O'Brian. Part of the Aubrey/Maturin series, this one follows the book "The Truelove," which led His Majesty's Hired Vessel "Surprise" to the Hawaiian (Sandwich) Islands to protect British whaling interests there, which were threatened by a pioneer of communism, Monsieur Dutourd, who was endeavoring to set up his own idealistic society there at the expense of British interests.

As this book starts, Dutourd's ship, the "Franklin," is being pursued by Aubrey in the "Surprise," on a strange, wine-colored sea in unusual weather. Soon the reason for the strange sea and weather becomes evident as an erupting volcano causes damage to both ships. The story revolves around British intelligence agent Dr. Maturin's attempt to influence political events in Peru, several battles at sea with the concomitant taking of prizes, battle with a pirate, deaths and injuries in battle, and the nearly deadly struggle of Dr. Maturin's medical assistant, the Rev. Martin, with his conscience.

No one knew nautical lore and the square-rigged vessels of the Napoleonic era (ca. 1800) as well as Patrick O'Brian. Many of his sea battles are taken directly from the annals of the British Admiralty, and his dialogue is replete with period expressions that lend even greater authenticity to his tales.

I recommend that a newcomer to this series start with "Master and Commander," the first book of the series. Untold hours of pleasure await you. ...

The Wine-Dark Sea by Patrick O'Brian

There are few prose stylists writing today who can compare with Patrick O'Brian for the smooth, evocative and fluid stories which come from his pen. This book, a particularly fine example of O'Brian's craft, is part of his Aubrey/Maturin series of sea-faring novels. Sailor Jack Aubrey, while a typically crusty man of the blue briny, is also a well-read and witty contrast and companion to Doctor Stephen Maturin, an erudite physician with a huge love of the sea. Together, the two have had many adventures, but in The Wine-Dark Sea, they face some of their greatest challenges ever with remarkable spirit and aplomb. The story here is great entertainment with lots of page-turning action, but the lush writing is simply seductive and so easy to become lost and quite "at sea" within. While these are often consider "men's books," I strongly suspect that many women would be attracted to the strong plots, grand characterization, and fine writing; there is never the least hint of the crude or the coarse in these highly literate, but so readable novels. I have often suggested the works of Patrick O'Brian to writing students as a model for crisp, fresh, lively prose and most highly recommend this series to anyone who loves a great read.

Some critics have referred to the Aubrey/Maturin books as one long novel united not only by their historical setting but also by the central plot element of the Aubrey/Maturin friendship. Having read these fine books over a period of several years, I decided to evaluate their cumulative integrity by reading them consecutively in order of publication over a period of a few weeks. This turned out to be a rewarding enterprise. For readers unfamiliar with these books, they describe the experiences of a Royal Navy officer and his close friend and traveling companion, a naval surgeon. The experiences cover a broad swath of the Napoleonic Wars and virtually the whole globe.
Rereading all the books confirmed that O'Brian is a superb writer and that his ability to evoke the past is outstanding. O'Brian has numerous gifts as a writer. He is the master of the long, careful description, and the short, telling episode. His ability to construct ingenious but creditable plots is first-rate, probably because he based much of the action of his books on actual events. For example, some of the episodes of Jack Aubrey's career are based on the life of the famous frigate captain, Lord Cochrane. O'Brian excels also in his depiction of characters. His ability to develop psychologically creditable characters through a combination of dialogue, comments by other characters, and description is tremendous. O'Brien's interest in psychology went well beyond normal character development, some books contain excellent case studies of anxiety, depression, and mania.
Reading O'Brien gives vivid view of the early 19th century. The historian Bernard Bailyn, writing of colonial America, stated once that the 18th century world was not only pre-industrial but also pre-humanitarian (paraphrase). This is true as well for the early 19th century depicted by O'Brien. The casual and invariable presence of violence, brutality, and death is a theme running through all the books. The constant threats to life are the product not only of natural forces beyond human control, particularly the weather and disease, but also of relative human indifference to suffering. There is nothing particularly romantic about the world O'Brien describes but it also a certain grim grandeur. O'Brien also shows the somewhat transitional nature of the early 19th century. The British Navy and its vessals were the apogee of what could be achieved by pre-industrial technology. This is true both of the technology itself and the social organization needed to produce and use the massive sailing vessals. Aubrey's navy is an organization reflecting its society; an order based on deference, rigid hierarchy, primitive notions of honor, favoritism, and very, very corrupt. At the same time, it was one of the largest and most effective bureaucracies in human history to that time. The nature of service exacted great penalities for failure in a particularly environment, and great success was rewarded greatly. In some ways, it was a ruthless meritocracy whose structure and success anticipates the great expansion of government power and capacity seen in the rest of the 19th century.
O'Brian is also the great writer about male friendship. There are important female characters in these books but since most of the action takes place at sea, male characters predominate. The friendship between Aubrey and Maturin is the central armature of the books and is a brilliant creation. The position of women in these books is ambiguous. There are sympathetic characters, notably Aubrey's long suffering wife. Other women figures, notably Maturin's wife, leave a less positive impression. On board ship, women tend to have a disruptive, even malign influence.
How did O'Brian manage to sustain his achievement over 20 books? Beyond his technical abilities as a writer and the instrinsic interest of the subject, O'Brien made a series of very intelligent choices. He has not one but two major protagonists. The contrasting but equally interesting figures of Aubrey and Maturin allowed O'Brien to a particularly rich opportunity to expose different facets of character development and to vary plots carefully. This is quite difficult and I'm not aware of any other writer who has been able to accomplish such sustained development of two major protagonists for such a prolonged period. O'Brian's use of his historical setting is very creative. The scenes and events in the books literally span the whole globe as Aubrey and Maturin encounter numerous cultures and societies. The naval setting allowed him also to introduce numerous new and interesting characters. O'Brian was able to make his stories attractive to many audiences. Several of these stories can be enjoyed as psychological novels, as adventure stories, as suspense novels, and even one as a legal thriller. O'Brian was also a very funny writer, successful at both broad, low humor, and sophisticated wit. Finally, O'Brian made efforts to link some of the books together. While a number are complete in themselves, others form components of extended, multi-book narratives. Desolation Island, Fortune of War, and The Surgeon's Mate are one such grouping. Treason's Harbor, The Far Side of the World, and The Reverse of the Medal are another. The Letter of Marque and the ensuing 4 books, centered around a circumnavigation, are another.
Though the average quality of the books is remarkably high, some are better than others. I suspect that different readers will have different favorites. I personally prefer some of the books with greater psychological elements. The first book, Master and Commander, is one of my favorites. The last 2 or 3, while good, are not as strong as earlier books. I suspect O'Brian's stream of invention was beginning to diminish. All can be read profitably as stand alone works though there is definitely something to be gained by reading in consecutive order.

Why would I recommend not reading this book? The answer is simple; I urge you to start at the beginning and buy Master and Commander, the first book. I say this because the odds are you have not read O'Brian before, if you had, you would scarcely need a recommendation for a book in the middle of the series. No, if you had read O'Brian before you would have either decided not to read more or as so many have before you, would have read the series, devouring one book after another in the order they were intended to be read. The Wine-Dark Sea is a section of one of the greatest examples of nautical fiction ever written, don't deny yourself the joy of watching these characters grow and develop over the course of the opus.

"The Wine Dark Sea" is a slightly misleading title for this exciting continuation of the Aubrey/Maturin books. Much of it takes place on land, in Peru and the Andes to be exact, and those parts are wonderfully written as well as exciting. The nautical sections of this novel, while also thrilling, are really a continuation of the previous book "The Truelove" to such an extent that they could almost function as one novel! Characters are aboard whose motivations and actions will be mysteries to those who haven't read the previous installment in this series.

To those familiar with Patrick O'Brian's previous stories, "The Wine Dark Sea" will not disappoint! Just don't start here if you're not...

This was my introduction to Patrick O'Brian's work. While it begins a bit slowly, the pace quickens soon after as it thrusts Stephen Maturin into some death-defying intrigue and danger amidst the grandeur of the Andes Mountains. I tend to prefer O'Brian when he ventures onto land most of the time anyway, so this was a real treat. Some day (probably after he has left us) Patrick will achieve massive critical acclaim, the media rushing to heap credit on itself for having "discovered" a great writer. Until then, why not beat them to it and acquire the O'Brian taste now! Be sure to pick up A Sea of Words for reference, especially if you are (like me) in the dark when it comes to the nitty-gritty details of nautical adventure.

Wine-Dark Sea is the sixteenth in Patrick O'Brian's wonderful 20-part nautical series. It is also the final in a four-part mini-series, as volumes thirteen through sixteen are an ongoing circumnavigation of the world. In this installment, Aubrey and Maturin and the HMS Surprise finish their adventures in the Pacific, land in Peru and then round the Cape into the Atlantic on their way home to England. For fans of the naval wars, there are some good 'ol rip-roaring chase and battle scenes. The Maturin crowd will find their hero high in the Andes examining wildlife and carrying on his intelligence activities. A wonderful worthy addition to O'Brian's series.

"The Wine-Dark Sea" is the immediate precursor to "The Commodore", chronicling the final exploits in the Surprise's mission to the Pacific and the west coast of Spanish America. Aubrey chases a French privateer, the Franklin, commanded by a wealthy Frenchman, Dutourd, an early advocate of communism, that has seized several British merchantmen in the South Pacific. Imprisoned aboard Surprise, Dutourd tries to befriend both Aubrey and Maturin, but is rebuffed by both. Aubrey transfers him back to the Franklin, but Dutourd escapes and hides unseen aboard Surprise, which is taking Maturin to the West Coast of South America. There he will be reunited with Aubrey's illegimate African son, Sam Panda, a local Roman Catholic priest. Maturin tries to forment a revolt amongst some of the local clergy and military against the Spanish monarchy, but before the revolt can commence, he is warned by others that Dutourd has escaped from the Surprise. The revolt is cancelled. Maturin must undertake a perilous trek across the Andes, suffering severe frostbite, before he is reunited with his shipmates. Aboard Franklin, Aubrey leads his crew in a desperate struggle against a French pirate warship. This is yet another exciting installment in the Aubrey-Maturin series, and among the most suspenseful.

Jack Aubrey and Stephen Maturin, having sailed off on a combination privateering and intelligence mission in the SURPRISE back in the twelfth novel in the saga, finally are nearly home again -- and this is installment number sixteen! It's hard to believe, too, that after so many volumes, with at least one circumnavigation and any number of roundings of Cape Horn and the Cape of Good Hope, we find Britain still embroiled in what we in the States refer to as the War of 1812. And what a journey this book narrates, from the witnessing of a new volcanic island and capture of a most irregular privateer in the mid-Pacific, to anxious flight through the Andes by mule and llama, to yet another encounter with ice-islands in the south Atlantic. Although the plotting seems thin at times and lacking in useful details, the narration is as adroit as ever, especially in the author's patented style of understatement. Not his best work by far, but very much worth reading.

This is the second Aubrey/Maturin book that I have read. I did not enjoy the first one. I figured, however, that I had to give the series another try because Patrick O'Brian has so many fans. I fared no better with this one.
I just cannot get into these books. O'Brian's repeated use of archaic nautical words and phrases is more than distracting. It is overwhelming and it buries the stories. I would suggest staying clear of this stuff unless you are well-versed in 18th century naval termonology.

As usual, I came into this particular series amidships-but no matter, all and any of the books are wonderful, either individually or in seriatim...O'Brian, like Dickens has an extraordinary ear for speech, as well as a painters eye for landscape and detail. The hermetic and complete world he recreates differs from Dickens in one staggering detail: for the most part his predecessor, except for the "Historical Novels" wrote of what he knew and saw, O'Brian builds his lifelike Universe out of what must be one of the Century's great imaginations. Reader beware: this is a powerfully addictive novel and series.

Here is O'Brian's continuation of this great series. Now returning from almost certain disaster in the Pacific isles, Aubrey and Maturin are once again aboard HMV Suprise, now owned by Capt. Aubrey. They journey back to So. America as Dr. Maturin trys to overthrow Spainish rule in Peru. Caught in the politics of this country Dr. Maturin almost losses his life in a series of adventures in the Andes. Then the final battle at Cape Horn as Surprise battles the American naval force sent to accompany U.S. whalers on their way to the Pacific Ocean. Another gripping adventure in a series now considered the finest of its kind. As an avid reader of every author in this gendre I welcome any inquiries about books of the Napoleonic, Revolutionary and War of 1812 concerning British naval fiction.

One of the best of the series, and its combination of stirring adventure, strong characters, and gentle good humor leaves me a bit ahoo that only one more remains in the series.

Seventeenth in the series: The Commodore (O'Brian, Patrick, Aubrey/Maturin Novels, 17.)

From the opening chapter of "The Wine-Dark Sea," the 16th book in Patrick O'Brian's hallowed Master & Commander series, the reader knows that something special is going on. Aubrey and Maturin sail their privateer, the Surprise, into waters made lethal by an erupting volcano that has just emerged from the sea, spewing lava and death. No other writer could so effortlessly blend natural beauty and naval drama (for an enemy American ship is close by).

"WDS" is a rollicking novel, even if it is one of the shorter books in the series. There is plenty of naval action, both as the Surprise matches broadsides with enemy ships as well as fighting through the icebergs of Cape Horn. Maturin is also charged with a daring political mission as he attempts to finance a coup in Peru - an enterprise that sends him fleeing over the Andes and minus a few toes.

And then there are the characters. And what characters! O'Brian seems to work overtime to get almost every beloved minor character shoe-horned into this book, and nobody minds.

This is definitely a book that should be read in its proper order - you will miss too much back story if you dive in right here, although if you do you will surely love the action and gorgeous travel-writing O'Brian brings to bear.

Grab Master & Commander and start sailing!

Very impressed with this book. I really enjoyed when they went to Peru. This is my 3rd of his books and really enjoyed this.

. . .without first reading Truelove. Wine Dark Sea is the 16th
book in the Aubrey/Marturin series and as usual, the writing
is as rhythmic and sensual as the sea itself. O'Brian does his
usual great job of spiking the plot with layers of meaning and
twists and turns. He is also at his best in emphasizing the
'novel' part of his historical-novel niche.

If this is your first experience of the series though, you might
find the characters and motivations a bit hard to follow, especially
since so much groundwork was laid in Truelove. Some diehard
fans may be disappointed by transport of so much of the action
from the sea to the mountains.
Still any O'Brian is better than no O'Brian at all and this is one of
the best books in the series.

--Lynn Hoffman, author of New Short Course in Wine,The and
bang BANG: A Novel ISBN 9781601640005

The joy of Patrick O'Brian's books is the accuracy of his language among the characters as they speak ("Give you joy!") and the accuracy of the depictions of naval events. This includes accuracy of naval terminology. I have listened to all of these books as Books-On-Tape and often find myself replaying sections to hear the language spoke again. This approach may assist persons like High Cotton "could not get into these books". One of the greatest things about these books is their unparalleled historical accuracy. When you hear a naval battle described, you can be assured it happened just as described. How does the author place a fictional character and fictional ship into real events? Cleverly! Such as by having the hero captured by the enemy and observe the battle from the deck of the enemy's vessel. Or by having the hero's vessel arrive a few minutes behind the actual combatants and not actually taking a role in the action, but seeing and describing it. In one of the books, Capt. Aubrey was called on the carpet at the Admiralty Offices in London for his provisioning of his ship. Indignantly, he recites from memory what "vittels" and other supplies he provisioned his last voyage with. In fact, the author, Patrick O'Brien, was given access to real Admiralty records. What his character Aubrey was reciting was from an actual invoice of provisions for a naval warship during the Napoleanic War. Very interesting stuff if you like history and if you like ships at sea. Highly recommended, especially if you hear the novels read (spoken) rather than reading them. Star Trek fans will love these books!